In the late-90s/early-2000s, when my trade of ticket-selling had not yet moved to the web, my co-workers and I had identified a number of archetypes among our customers.
One of these was the Tragically Hip fan. Working-class, generally with thick Vermont accents, mostly from the then-still-industrial towns along the Canadian border where they heard more Canadian than U.S. radio, they would flood into Burlington and sell out the 2600-capacity Memorial Auditorium. Most of them would refer to the band as “T. Hip,” and, in keeping with the economical approach to everything characteristic of New Englanders, some would say nothing more than “T. Hip tickets” when we answered the phone.